Archive for the ‘Taide’ Category

DRM:n vaikutukset

Tiivistelmä DRM:n ongelmista.

DRM tekee laittomasta kopiosta arvokkaamman

Koska DRM laskee tuotteen jälleenmyyntiarvoa ja sen käyttöarvoa ja pahimmillaan poistaa koko arvon. Piraattikopio DRM-suojatusta tuotteesta on laadukkaampi ja arvokkaampi kuin alkuperäinen, sillä piraattikopiosta suojaus on valmiiksi poistettu ja teosta ei siis voi menettää. DRM-suojaamatonta kirjaa voi lainata helpommin kaverille ja se toimii kaikissa laitteissa, joten käyttöarvo on suojattua suurempi.

Esimerkiksi Amazon on havainnut että kirjat joita voi lainata kaverille myyvät enemmän kuin ne joita ei voi (http://www.mediabistro.com/ebooknewser/more-books-published-this-week-than-in-1950_b19683). Tämä on loogista, sillä musiikin ja kirjojen markkinoinnissa kaverin suositus on aina parempi vakuuttaja kuin mikään markkinointikampanja. Uusia kiinnostavia kirjailijoita ja artisteja löydetään juuri tällaista kautta.

Sitävastoin laittomasti ladattu kirja on arvokkaampi kuin painettu kirja – siitä voi ottaa haluamansa määrän varmuuskopioita, sitä voi kuljettaa mukana ilman tilanvientiä ja sitä ei voi kauppias ottaa pois.

DRM tekee tuotteesta kertakäyttöhyödykkeen

Koska DRM-suojatun kirjan saattaa myyjän mielen muuttuessa tai tekniikan vanhetessa menettää, suojatun kirjan havaittu arvo on alempi kuin suojaamattoman. Tämä vaikuttaa siten, että se on myytävä halvemmalla kuin perinteinen kirja, koska lukija ei osta kirjaa, vaan vain lunastaa oikeuden lukea sitä juuri nyt.

Esimerkiksi Amazon on jo poistanut kirjoja käyttäjiensä lukulaitteista ilman ennakkovaroitusta ja Microsoftin ensimmäisellä Works For Sure ™ -suojauksella varustettu musiikki on jo vuosia ollut mahdollista avata vain laittomin keinoin. Kyse ei siis ole teoreettisesta vaan pragmaattisesta riskistä ja imagotappiosta, joka laskee kirjan arvostusta.

DRM ei estä kopiointia

Bruce Schneier, yksi johtavista tietoturva-asiantuntijoista, kirjoitti DRM:stä näin: “trying to make digital files uncopyable is like trying to make water not wet” (http://www.wired.com/politics/security/commentary/securitymatters/2006/09/71738).

Ei ole olemassa tapaa estää kopioimasta kirjaa, jonka käyttäjä voi lukea, tai musiikkia, jonka käyttäjä voi kuulla. Tämä ei ole kiinni teknisestä kehityksestä, vaan luonnonlaki. Sen mitä käyttäjä voi aistia, voi myös kopiointiväline aistia, joten ainoa tapa estää piraattikopiointi on estää käyttäjää lainkaan havaitsemasta kyseistä teosta.

Tämän voi helposti tarkistaa itse hakemalla Internetistä esiin jotakin tämän hetken suosikkikirjoista tai -levyistä. Jos media kiinnostaa ihmisiä, siitä on olemassa kopio joka leviää vapaasti.

DRM ei estä varsinaisia piraatteja

Jos ajatellaan ihmisiä, jotka harrastuksekseen laittavat kirjoja tai musiikkia jakoon Internetissä, murtamisen luoma haaste vain lisää toimen jännittävyytä ja tekee siitä siis palkitsevampaa. Kaikkiin tunnettuihin kirja- tai musiikki-DRM:iin myös löytyy valmiiksi murtotyökalut.

DRM lisää tuotteen valmistuskustannuksia

DRM:n laatiminen tai lisensoiminen maksaa, ja tämä kulu on suoraan pois kustantajien katteista. Akateemisen ja Suomalaisen kirjakaupan käyttämä Adobe DRM myös vaatii tunnusten tekemistä kirjakaupan lisäksi Adoben palveluun, tehden ostamisesta kömpelömpää.

Open Letter to book publishers

Last call for publishers!
Flight to prosperous future is leaving in 15 months.
Please board immediately.

Lets discuss this:

More Books Published This Week Than In 1950 – eBookNewser.

“There were more books published this week than there were in all of 1950″
“Kindle book sales have passed print”
“books that are shared among readers have higher sales”

Now, publishers and book retailers, lets first split you to half: To the blue side go the ones who had in 2011 more than 25% of ebook sales, in units sold, on your area than Amazon sold ebooks there. To the red side: the rest.

The blue side: You can continue as is. You need to price aggressively, more aggressively than Amazon, to grow the market share, but you’re pretty fine.

The red side: You are about to die. You need to start offering significantly better deals than Amazon, comparable or better ease of getting samples, sharing with friends and buying, and do it in next 12 months.

The “better deal” means you need to offer more value to money. Amazon offers selection of one million titles and sells them around $9.90 per book, and the cheapest reader device is around $100 without ads. The books come with annoying DRM, but reader software is available for PC, smartphones, tablets and the already mentioned dedicated reader.

Now, in order to make your deal better, you need to have an edge and no deal-breakers. DRM that restricts your books to one obscure line of ereaders is a deal-breaker. So, offer DRM-less epub-format books at $9.90 and we have a deal already. If you insist on DRM, unless you have wider selection of books than Amazon, a format that is supported by at least two different manufacturers on their sub-$150 models is a must, and even then you need to push price lower than Amazon to get sales.

So, you’ll be selling DRM-free books. Like the ones on dead wood – books that are _mine_ after I have bought them, not just leasing them. Now you can ask the $9.90 that Amazon asks and still have an edge.

Then the last part: Obscure languages. One way to have an edge is to offer your books on my local language. I could pay $15 for ebook if it was in Finnish, DRM-free and a book I am already trying to get.

I’m eagerly waiting for your offer,

-Jari Juslin


I am going to send this as email to couple of Finnish publishers. Because I really would like to read books in Finnish, but I am done with buying books on pulp bricks.

UPDATE:
Teen tästä suomenkielisen käännöksen illalla 26.1. Tarkoitus on lähettää tämä sähköpostina kustantajille perjantaina 28.1. Jos haluat nimesi mukaan, lähetä osoitteeseen zds@iki.fi sähköposti, jossa otsikkona on “Avoin kirje kustantajille” ja viestin rungossa nimesi ja kotipaikkakuntasi.

Comparison of jacket pocketable cameras

I was recently shopping for camera that would offer better image quality than my current cheap compact and still be small enough to be carried with me all the time. Most of the contenders are on the larger side, so only a die hard photographer enthusiast would carry them all the time, but because I happen to be one, that’s not a problem for me.

Still, this comparison might come handy for someone looking for compact camera to be used when traveling or going into events where you want to put some weight on image quality, but not carry DSLR or similar with you.

This is not meant to be be-all-end-all comparison, I just publish the data I collected when facing this decision myself. It seems there is very few comparisons like this available on the web, so publishing even just data that worked for me feels justified.

The volumes assume the camera to be rectangular block sized per the largest measure to each dimension, because that approximates how much space it takes in your pocket.

Dimensions and volume are recorded with both a standard prime, one giving field of view comparable to 50mm on 35mm film, and with small standard zoom lens. The lenses used calculations are Olympus 25/2.8 and Panasonic X 14-42mm zoom for GX1 and Samsung 30/2 for NX200. These give field of view equivalent to 50 and 45mm on 35mm film, respectively.

As a reference for sensor sizes, from Wikipedia:

Note about the image: What’s called “four thirds” on the image is the size what the “micro four thirds” digital cameras use.

Canon S100 Fuji X10 Panasonic DMC-GX1 Samsung NX200
¤, Amazon UK 444¤ 580¤ 1107¤ 925¤
Sensor size 1/1.7″ Micro Four Thirds, APS-C
Sensor dim. 7.6*5.7mm 8.8*6.6mm 17.3*13mm 23.5*15.7mm
Sensor area 43mm2 58mm2 225mm2 369mm2
Relative area 1 1.3 5.2 8.5
W 198g 350g 367g 306g
Base dim. 99*60*27mm 117*70*57mm 116*68*39mm 117*63*36mm
Dim. w/ 50mm 116*68*62.5mm 117*63*58mm
Vol w/ 50mm 160cm2 467cm2 493cm2 428cm2
Dim w/ zoom 116*68*66mm 117*63*76
Vol w/ zoom 521cm2 560cm2
AEB, # 7 3
AEB, EV 2 6 6
Flash sync 1/2000 1/1000 1/160 1/180
Max exp. time 15s 30s 2min 4min
Viewfinder - Optical Optional electronic -
Widest pancake, 35mm eqv. 24 28 28 24
Min focus 3cm 1cm 20cm 25cm
Vol of zoom - - 79cm2 129cm2
Notes Plastic body Raw files are insanely large, 50MB per shot, meaning saving them takes ages. UI is unpolished. Micro 4/3 is multi-manufacturer standard for small interchangeable lens cameras, meaning lens selection is a lot wider, a lot, than Samsung NX. While the overall selection of lenses is limited, almost all the wider ranges I need have a pancake prime available, rivalling or surpassing everyone else, even µ4/3 in this respect. However, if you want lenses faster than f/2.0, you are out of luck on autofocus lenses.

The part even a casual photographer needs to know when shopping for new camera is a) sensor size and b) widest aperture at zoom ranges you are going to use. These are the parameters that directly affect how good pictures you can get in low light, like shooting family events indoors, because they tell how much light can possibly be captured by the camera when shooting.

The reason I put in the surface areas is this: Surface area of the sensor dictates the upper range for how much photons hit the sensor when all the other parameters are equal. In other words: four times more surface area on sensor means you can, if all other parameters are equal, get same amount of photons with quarter of time, or with quarter of the noise in same time. Which means you can shoot in four times less light and still get useful images. (Obviously the sensor area only sets upper limit to what can be done, engineering can still fail to make use of it.)

GX1 and NX200 are system cameras, meaning the parameters of the lenses vary a lot; To keep the table at manageable size, I have just included the lenses I immediately need, with the idea that camera body and “50mm” prime would go in one pocket, zoom in another pocket or back bag. Your mileage will vary.

Options I discarded due to lack of pancake lenses were Sony NEX series, Pentax Q and Nikon 1. Sony NEX bodies are at least as good and featured in case of NEX-5N or far superior in case of NEX-7, but almost total lack of pancake lenses made them a no-go for me.

In terms of lens selection micro four thirds is superior in mirrorless systems – it’s the oldest system and there are tens of lenses available, up to the expensive and fast Leica optics.

EDIT:
What is not listed is that every camera here sports CMOS sensor, even the Canon S100. CMOS is usually used in system cameras, whereas compact cameras use CCD. The CMOS sensor inside S100 is also claimed to be the first compact camera sensor that’s manufactured by Canon – every other compact Canon uses third part CCD sensor, even when their sizes match the S100 1/1.17″.

Links to DPReview reviews/previews of the listed equipment:

Canon Powershot S100:
http://www.dpreview.com/previews/canons100/

Fujifilm X10:
http://www.dpreview.com/previews/fujifilmx10/

Panasonic DMC-GX1:
http://www.dpreview.com/previews/panasonicdmcgx1/
Olympus Zuikos Digital 25mm 1:2.8 Pancake:
http://www.dpreview.com/lensreviews/olympus_25_2p8_o20/

Samsung NX200:
http://www.dpreview.com/previews/samsungnx200/
Samsung NX 30mm F2 Pancake:
http://www.dpreview.com/products/samsung/lenses/samsung_30_2

EDIT2:
The inch-based sensor size figures are whole black magic, designed to confuse the living hell out of you. Here DPReview tries to explain them:
http://www.dpreview.com/news/2002/10/7/sensorsizes

EDIT3:
Links to lenses for micro-four-thirds and Samsung NX mount. Obviously not all-inclusive, especially since almost any lens for mirrored SLR can be mounted to these in manual mode, but a starting point.

µ4/3:
http://www.dpreview.com/products/olympus/lenses
http://www.dpreview.com/products/panasonic/lenses
http://www.four-thirds.org/en/fourthirds/lense.html

Samsung NX mount:
http://www.dpreview.com/products/samsung/lenses

Both:
http://www.syopt.co.kr/eng/product/manual_zoom.asp

While the Samyang lenses are all manual, their image quality should not be overlooked. For example the 14/2.8: http://www.photozone.de/canon_eos_ff/532-samyang14f28eosff?start=1

It has a lot of barrel distortion, but that’s something you can semi-easily correct in post-processing. But when you look at the sharpness, it’s pretty darn good lens, sporting better results in effective resolution than many high-regarded lenses multiple times of the cost. And in very wide angle use you usually shoot landscapes or architecture, so the manual focusing is not a real problem – the subject is not running away.

Miniature Art on the Tip of Pencil by Dalton Ghetti

Amazing skills.. Handcraft art at its best.

Miniature Art on the Tip of Pencil by Dalton Ghetti.

Awesome pencil work

Awesome skillz, this man can haz them:

Pencil Portraits Bring Celebrities to Life.

Highly unusual imagery

Here a guy took image with 6 month exposure time with pinhole camera:

Photography’s Longest Exposure – household name : : : blog.

Benoit Mandelbrot, RIP

One genius less alive. RIP, Mr. Mandelbrot.

Benoit Mandelbrot, RIP.

Web page fail


Click to see a FAIL.

There is so much wrong with these pages it’s hard to even list it all, but lets try:

Full page flash, just one for the whole site:

  • Google can’t index your contents, so you don’t get presence and people don’t find you.
  • People who like your designs can’t link them to their friends.
  • It is hard and annoying to navigate around; no back-button, so you have to navigate the same paths over and over again.

In addition to this

  • Links are hidden and only visible when you “scan” the page through with mouse.
  • Page displays annoying animation when looking at items.
  • Items are shown per season, also jewellery. Most people don’t buy 200-1000¤ jewellery new for each season. It is hard to see past seasons, and impossible to see all jewellery pieces at once.
  • Only one image per item.
  • Images are artsy, but unclear; It is hard to judge the designs looking at the images.

Now, as a potential buyer, I would either not find this designer at all, or I could not find the items I am interested in, and if I found them, I could not show them to my SO or friends for judgment, and last, I could not see from the images if the items were actually worth my money.

When you are selling physical items, there is no reason at all to hide information about them. It is in _your_ best interests to share as clear information about them as you can. I could understand this kind of shortcomings if the items were priced at 20¤, but not if they are priced at 200¤ or 2000¤.

What makes me sad is that this kind of failure actually costs you more than a good, clear, easy-to-use simple website would. Take a look at this: NotJustALabel.com. Their pages are clear, easy to use and classy. Photos are clear and there are several photos from each item. _This_ kind of pages sell your items.

Theme: Spine

Another collection of art and design, this time the theme is spine.


Spine ring

Also check out the rest of the piece by this designer – he has several very nice designs.



Spine bracelet


Another spine bracelet


Goth pewter spine bracelet


Spine Sandals

This was a generous subject; there would have been still some more good-looking stuff, but lets get back to them later. Some designers also disqualified themselves by having “web”"pages” that were just one full-screen flash with poor navigation and images that looked artsy, but were not clear enough to judge the actual designs.

Folks, if you are selling some physical products, there is no reason to make it hard for people to actually see good images of them.. And even less reasons to make it impossible for Google to find your stuff, or for fans to link to them.

Me wants..

YouTube – Auto Assault CG Trailer.

This is CG trailer for MMOG called AutoAssault. I really, really would love to have MMOG like that.

The unfortunate thing is that the game called AutoAssault was made and released, and it was nothing like you can see in the trailer, and got rightfully ditched.

So now we only have the trailer and the hope that someday, someone, will actually make a game that does honor to this awesome trailer. It is completely possible the trailer was sent down from Heaven, but if it was actually made by humans, those humans still exist somewhere. I want them to make a game, not just a trailer.

Please..

Art: Scarab

I every now and then browse web for art, often to get inspiration. I have some theme or idea in my mind and seeing it in photos or art either confirms the idea to work, gives me new data to enhance my idea or helps me to scrap the whole idea.

Here are some pieces of art that caught my eye; the theme in them is loosely a scarab.

Shinybinary.com – this looks like something that should be laser-engraved from real materials and then backlit.

Diytrade.com

EWPayne.co.uk

IStockphoto.com

Zcache.com

HDR Video Demonstration Using Two Canon 5D mark II’s on Vimeo

Alright, so this is video imaging, created using two 5DmkIIs… Looks very, very cool!

HDR Video Demonstration Using Two Canon 5D mark II's on Vimeo on Vimeo

via HDR Video Demonstration Using Two Canon 5D mark II’s on Vimeo.

RIP, Ronnie

Ronnie James Dio, one of the Great Old Ones of Heavy metal has passed away. Rock in peace, man.

YouTube – Dio – All the Fools Sailed Away.

Neil Gaiman’s Journal: Why defend freedom of icky speech?

Neil Gaiman writes on freedom of speech:

Neil Gaiman’s Journal: Why defend freedom of icky speech?.

Like someone wise once said: “If you don’t support freedom of speech for people you despise, you don’t support it at all”.

Introduction To LED Lighting | DIYPhotography.net

Very interesting read. The setups described work only for very small subjects, but the parts are very cheap and used in an innovative way.

Introduction To LED Lighting | DIYPhotography.net.

Awesome photos

Some cool photos to brighten up your Friday: Amazing And Unbelievable Photos | Pictures.

Astral by =alexiuss on deviantART

Unusually cool photographic art here:

Astral by =alexiuss on deviantART.

YouTube – 8-bit trip

YouTube – 8-bit trip.

This is art.

Awesome laser work

YouTube – Laser + Sound test-0.

Imaging Iron Age


This image of mine
took a third place in Ropecon 2009 Art Exhibition. The winners were picked by audience vote.